This saves a ton of time and brain power. With no phase issues to work through, and no individual drum mics to process, you simply have to take your one drum track and wield it the best you can. Mic positioning 4. When it comes to one of the best-budgeted tom mics, the MXL A-5t Dynamic Tom Drum Microphone tends to rank first. Let’s start our journey into minimalist drum miking with a 2-mic setup that features one mic as an overhead to capture the overall kit sound, and a second mic as a spot mic on the kick drum. This type of configuration offers good control over the sound and level of the kick in the mix, and a reasonable balance of the rest of the kit, assuming you’re careful with how you place the overhead mic. The quality or durability isn’t impressive, considering the price of this equipment. After thinking about it for I while, I thought it might be interesting to share my thought process for microphone placement when capturing the sound of a live drum. Microphone Placement for Drum Overhead Mics. I was recently asked to provide a few insights on my way of mixing drums live. In this video we show how to record a drum set with 4 microphones. Bass drum miked outside: using two out-of-phase mics in front of the bass drum will capture the ambient sound of the front head. Close miking especially in … But be careful that you don’t get too close with the main overhead microphones, because you’ll start missing instruments. How to Mic Drums for Live Performance. Drum Miking 101, Part 4: Four Microphones John Emerich. The best microphones for miking drums during Live performance have to be able to reproduce the wide frequencies of sound that drums, cymbals and separate the rest of the noise that is happening on stage. The fourth and final reason recording drums with one microphone is so powerful is that when it comes time to mix, things go super quick. Although it might not be the best tom mic out there, it is your best deal if you’re on a lean budget. A closer distance between the mics and the drums will give you a bit more definition and clarity. These are relatively inexpensive microphones, but as your about to see still capture great sounds. We’re using the Tascam DR07 MK2 ($150), a Shure SM57 on the Snare ($100) and a Beta 52 (You can find it for about $150).

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